Folk music has a bad habit of being presented as a deathly serious concern. "Cathode Ray" opens with caution, it's first harmonies arriving in big, looping sighs. "Moth Song", a song about unrequited love and "being so spun out by everything that you feel like you're delusional and hallucinating crazy things," forms the album's spare centrepiece, Anita Clark's undulating violin part drifting in and out of focus as if from a dream.
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