Miller dove into Cajun music in earnest after Harry Choates' recording of "Jole Blon" turned into a hit, starting to pursue a career as a producer in 1946 with his label Fais Do Do. Miller's next big star was Jimmy Newman, who veered a little closer to country than Cajun, a direction corrected by Chuck Guillory, who was more purely Cajun than Newman and who nevertheless sang with the fiddler.
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