This book provides a stimulating overview of twentieth- century German art, focusing on some of the period's key works by Max Beckmann, George Grosz, Hannah Hoch, Willi Baumeister, Arno Breker, Joseph Beuys, and Gerhard Richter. In Peter Chametzky's innovative approach, these works become representatives rather than representations of twentieth- century history. That is, the art here does not simply illustrate an argument, the art is the argument. Chametzky draws on both scholarly and popular sources to demons

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Painting the struggle of mind vs. matter Max Beckmann (1884-1950) found his central theme in the loneliness of the twentieth century man, threatened by catastrophe and torn between materialism and freedom of mind and spirit. His early pictures showed the influence of Impressionism, with a preponderance of biblical, historical, and allegorical themes. World War I made a deep impression on him: somewhere between Expressionism and Neue Sachlichkeit (New Objectivity), the succinct forms and hard contours in his memorable paintings and graphic works showed man at the limit of physical and mental endurance. Later, the harshness and severity of his style softened and his colors became more radiant, but the monumentality remained. Theater, circus, and music hall became parables of... Less

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As original as he was prolific, German artist Max Beckmann produced nearly a thousand works in a career that spanned two world wars. This volume uses Beckmann's own words as an introduction to the artist's creative expression and his unwavering search for the self. Beckmann struggled throughout his life to define his identity through his paintings. He started out as an ambitious and self-confident young artist, went through a horrific stint as a medical orderly in World War I, and then became an exile in Holland and the United States. Through her careful analyses of more than 50 works, Sister Wendy illuminates Beckmann's use of symbolism as well as the strong thematic strains of his paintings and triptychs. The artist's bold use of colour and line are in evidence in numerous full-colour... Less