A first for Nikon DSLR cameras, the black D5500 incorporates a touchscreen LCD monitor, giving you greater camera control. It features a 24.2 megapixel sensor and an EXPEED 4 image...
A first for Nikon DSLR cameras, the black D5500 incorporates a touchscreen LCD monitor, giving you greater camera control. It features a 24.2 megapixel sensor and an EXPEED 4 image processor that provide high-resolution images and Full HD 1080p video with notable low-light sensitivity up to ISO 25600 and up to 5 fps. The optical low-pass filter is omitted from the sensor, allowing for additional sharpness in both photos and videos. The D5500 has a 39-point autofocus system with nine cross-type sensors and a 2,016-pixel RGB sensor for precise exposure metering in a wide variety of lighting conditions. Full HD videos can be shot at multiple frame rates up to 60 fps, with full-time continuous auto focusing capabilities. The D5500 also has selectable audio frequency ranges - Wide and Voice. It also has a built-in intervalometer to record up to 9,999 consecutive exposures at variable intervals. The redesigned camera body is slightly smaller and lighter than its predecessor, and incorporates both an optical pentamirror optical viewfinder along with a large 3.2inch 1,037k-dot vari-angle touchscreen LCD monitor, which features a 180° swivel design to better support working from high and low angles. A variety of touchscreen functions allow you to pinch to zoom, navigate menus, choose settings, and choose your focus point. An eye sensor turns the LCD monitor on and off, enables a Touch function, and starts the playback funtion when your eye moves away from the viewfinder. Built-in Wi-Fi enables advanced image sharing capabilities, and when paired with an Android or iOS mobile device, remote viewing and control over the shutter release is possible from a distance. A wide range of Picture Control modes, Scene Modes, and Special Effects modes are available as well as in-camera image editing capabilities for adjusting settings prior to sharing. Built-in HDR and Active D-Lighting modes can also be used to optimize exposure results by preserving highlight and shadow details for an extended range of apparent tones. Included with the D5500 is the DX NIKKOR 18-55mm f/3.5-5.6G VR lens, a general-purpose zoom lens featuring a retractable barrel for a compact, lightweight design. The lens has a 35mm equivalent zoom range of 27-82.5mm, making it useful in a wide variety of shooting conditions. 24.2MP DX-Format Sensor and EXPEED 4 Processor The 24.2 megapixel DX-format CMOS sensor and EXPEED 4 processor work together to produce overall high image quality with notable detail, dynamic range, color accuracy, and low-light sensitivity to a native ISO 12800, which is further expandable to ISO 25600. Additionally, the sensor's design omits an optical low-pass filter in order to acquire the greatest amount sharpness and detail from subjects. The EXPEED 4 processor also enables a wealth of speed throughout the camera system, including support for full HD 1080p movie recording and a full-resolution continuous shooting rate of 5 fps. Multi-CAM 4800DX Autofocus Sensor Benefitting the high image quality is an apt AF system that employs 39 distinct AF points, including nine cross-type sensors, to quickly acquire focus in a range of lighting conditions, from -1 to +19 EV. A unique 3D-tracking mode utilizes the 2,016-pixel RGB sensor, typically reserved for exposure metering, in order to maintain sharp focus on moving subjects. To better suit specific subject matter when working in AF-A or AF-C focus modes, Dynamic-area AF mode allows you to choose from 9, 21, or 39-point arrays for enhanced subject tracking and recognition, even if the subject briefly leaves the frame. Single-point AF, 3D-tracking, and Auto-area AF modes are also available. When working in live view, for either still or movie shooting, a contrast-based AF system is employed to acquire focus precisely and can function in continuous, full-time servo mode to better suit working with moving subjects. Additionally, four AF-area modes are available when working in live