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Complete Monterey Pop Festival
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The Complete Monterey Pop Festival (Criterion Collection)

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The Complete Monterey Pop Festival (The Criterion Collection)

DISC ONE: Monterey Pop New high-definition digitaltransfer, supervised by D.A. Pennebaker. New 5.1 mix by legendary recording engineer Eddie Kramer, presented in Dolby Digital and DTS. Audio commentary by Festival producer Lou Adler and D.A. Pennebaker. New video interview with Lou Adler and D.A. Pennebaker. Audio interviews with Festival producer John Phillips, Festival publicist Derek Taylor, and performers Cass Elliot and David Crosby. Photo essay by photographer Elaine Mayes. Original theatrical trailer. Orginal theatrical radio spots. Monterey Pop scrapbook. Optimal image quality: RSDL dual-layer edition. DISC TWO: Jimi Plays Monterey and Shake! Otis at Monterey New high-definition digital transfers, supervised by D.A. Pennebaker. New 5.1 mixes by legendary recording engineer Eddie Kramer, presented in Dolby Digital and DTS. Audio commentary on Jimi Plays Monterey by music critic and historian Charles Shaar Murray. Two audio commentaries on Shake! by music critic and historian Peter Guralnick: the first on Otis Redding's Monterey performance, song by song; the second on Redding before and after Monterey. Interview with Phil Walden, Otis Redding's manager from 1959 to 1967. Original theatrical trailer for Jimi Plays Monterey. Video excerpt: Pete Townshend on Monterey and Jimi Hendrix. Optimal image quality: RSDL dual-layer edition DISC THREE: Monterey Pop -- The Outtake Performance Two hours of performances not included in the original film, from the following artists: Buffalo Springfield performing For What It's Worth, The Association, Big Brother and the Holding Company, The Blues Project, The Byrds, The Paul Butterfield Blues Band, Country Joe and the Fish, The Electric Flag, Jefferson Airplane, Al Kooper, The Mamas and the Papas, Laura Nyro, Quicksilver Messenger Service, Simon and Garfunkel, Tiny Tim, and The Who. Stills from Monterey Pop Festival (Click for larger image)

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The Complete Monterey Pop Festival (The Criterion Collection)

DISC ONE: Monterey Pop New high-definition digitaltransfer, supervised by D.A. Pennebaker. New 5.1 mix by legendary recording engineer Eddie Kramer, presented in Dolby Digital and DTS. Audio commentary by Festival producer Lou Adler and D.A. Pennebaker. New video interview with Lou Adler and D.A. Pennebaker. Audio interviews with Festival producer John Phillips, Festival publicist Derek Taylor, and performers Cass Elliot and David Crosby. Photo essay by photographer Elaine Mayes. Original theatrical trailer. Orginal theatrical radio spots. Monterey Pop scrapbook. Optimal image quality: RSDL dual-layer edition. DISC TWO: Jimi Plays Monterey and Shake! Otis at Monterey New high-definition digital transfers, supervised by D.A. Pennebaker. New 5.1 mixes by legendary recording engineer Eddie Kramer, presented in Dolby Digital and DTS. Audio commentary on Jimi Plays Monterey by music critic and historian Charles Shaar Murray. Two audio commentaries on Shake! by music critic and historian Peter Guralnick: the first on Otis Redding's Monterey performance, song by song; the second on Redding before and after Monterey. Interview with Phil Walden, Otis Redding's manager from 1959 to 1967. Original theatrical trailer for Jimi Plays Monterey. Video excerpt: Pete Townshend on Monterey and Jimi Hendrix. Optimal image quality: RSDL dual-layer edition DISC THREE: Monterey Pop -- The Outtake Performance Two hours of performances not included in the original film, from the following artists: Buffalo Springfield performing For What It's Worth, The Association, Big Brother and the Holding Company, The Blues Project, The Byrds, The Paul Butterfield Blues Band, Country Joe and the Fish, The Electric Flag, Jefferson Airplane, Al Kooper, The Mamas and the Papas, Laura Nyro, Quicksilver Messenger Service, Simon and Garfunkel, Tiny Tim, and The Who. Stills from Monterey Pop Festival (Click for larger image)

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The Complete Monterey Pop Festival [Criterion Collection] [3 Discs]

The Criterion Collection's Complete Monterey Pop Festival set is one of the more prodigious archival live rock releases to appear on DVD, dwarfing Warner Bros.' Woodstock in terms of both quality and musical significance. Indeed, the three-disc set, which consists of three separate DVD sleeves in a slipcase, dwarfs any other live 1960s rock release on film that we're ever likely to see. The original 79-minute film Monterey Pop, which was available for years on television in dark, indifferently transferred prints, and during the late '80s in a somewhat better laserdisc edition, has been given a major upgrade here. The most obvious improvements come from a high-definition digital transfer made under the supervision of director D.A. Pennebaker that is so sharp that it's possible to read the medium-sized print on peoples' T-shirts in the wide shots, and see more detail than anyone who wasn't there ever saw before. The shorter features Jimi Plays Monterey and Shake! Otis at Monterey are also included, on disc two, and look significantly better than the Japanese laserdiscs of either film. The third disc is entitled Monterey Pop: The Outtake Performances, and features two hours of songs and various performers that never made it into the original movie, ranging from the Association and Laura Nyro to Tiny Tim. There are numerous surprises here, however, beyond the image quality. For starters, the audio has been remixed by Eddie Kramer from the original multi-track sources into Dolby Digital and DTS, which makes watching this release overall -- even the basic Monterey Pop movie -- the equivalent of taking it all in for the first time. One can hear nuances in the singing and playing, and feel a bracing immediacy and impact that was lacking even in the Rhino Records Monterey Pop Festival box from 1992. The revelations are to be found throughout these discs, and in some totally unexpected places -- the Byrds were one of the big disappointments at the original festival, for a lackluster set that had no real highlights, but viewed and heard here, their playing seems about as solid and impressive as any live gig of theirs that was ever recorded. Similarly, the Blues Project -- who were on their last legs, in the midst of disintegration, at the festival -- is enjoyable here, though ex-member Al Kooper, playing with a hastily assembled band, does play circles around them; and Buffalo Springfield (sans Neil Young, who was out of the lineup at the time), in their only extant live clip, show off some of the mixture of garage-punk instrumental attack and folk-based harmony that made them one of the most exciting rock acts in Los Angeles. The outtake performance clips by the Who and Big Brother & the Holding Company have been remixed into Dolby 5.1 surround, and those are even better. But even the tracks on which high-grade audio materials haven't survived, such as Hugh Masekela's section, are distinctly superior to their earlier incarnations. The original film and the Jimi Hendrix and Otis Redding features have been enhanced with multiple commentary tracks, by rock historians Peter Guralnick and Charles Shaar Murray, festival producer Lou Adler, and director D.A. Pennebaker, and interviews with Phil Walden (Otis Redding's manager) and John Phillips, Derek Taylor, Cass Elliot, and David Crosby. Additionally, the set comes with a 60-page booklet filled with essays and production information on the festival and the film, which completes the picture on this total-immersion musical/cinematic experience. There are a few gaps, such as the absence of more of the Simon & Garfunkel or Jefferson Airplane sets, or of any Moby Grape or Paupers material, but this is still a bigger chunk of the festival than has ever been seen in one place since the actual event. Each disc opens to a well-delineated and easy-to-use menu, and runs circles around any other release from the festival. ~ Bruce Eder, Rovi

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Monterey Pop Festival-complete

This director- approved special edition Criterion Collection contains four performance films by legendary documentary filmmaker D.A. Pennebaker from the unforgettable 1967 Monterey Pop Festival. Titles included are MONTEREY POP, JIMI PLAYS MONTEREY, SHAKE! OTIS AT MONTEREY, and MONTEREY POP: THE OUTTAKE PERFORMANCES. MONTEREY POP: This documentary features live performances, behind-the-scenes and audience footage, and other selections from the 1967 Monterey Pop Festival, which was considered to be the forerunner to Woodstock. The concert was organized by Alan Pariser, an L.A. rock scenester; John Phillips, singer for the Mamas and the Papas; and Lou Adler, a record producer, along with a board of musicians such as Mick Jagger, Paul McCartney, Paul Simon, Donovan, Brian Wilson, and Smokey Robinson. Performers include Simon and Garfunkel, Ravi Shankar, Janis Joplin, Jimi Hendrix, the Who, and Jefferson Airplane, among many others.JIMI PLAYS MONTEREY: A filmmaking legend meets a rock legend in this fantastic histo

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The Monterey Pop Festival (Monterey Pop / Jimi Plays Monterey / Shake! Otis at Monterey) [VHS]

A special message from Lou Adler, an original promoter/producer for the Monterey International Pop Festival: It was the first major Rock ‘n’ Roll Festival. No prerequisite…no precedents. We had no idea what to expect. The question of would people come was answered by mid-week prior to the start of the festival. They came and kept on coming. A major surprise was the extent of mainstream media coverage. When John Phillips and I arrived at the fairgrounds on the morning of the first day there were camera crews, photographers and journalists from all over the world. Add to that the advent of FM radio; and the following year Rolling Stone Magazine…Rock ‘n’ Roll was here to stay. Monterey gave birth to the first rock charity Monterey International Pop Festival Foundation, which continues to fund worthwhile causes in the names of the artists who appeared at Monterey. Precedents and prerequisites would be set for future concerts and festivals, including the overall treatment of the artist…Derek Taylor’s handling of the press…Chip Monks’ sound and lights…Pennebaker ’s groundbreaking movie “Monterey Pop. The true legacy of The Monterey International Pop Festival is not the crowd size…not the weather…not a violent incident…it is the music. The groundbreaking artists who were introduced (Janis Joplin, Jimi Hendrix, and The Who) and the “rock royalty” (Simon & Garfunkel, Otis Redding and The Mamas & The Papas) that performed there continue to be revered and continue to impact to this day the music and musicians who came after it happened in Monterey on June 16, 17, and 18, 1967.

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