Queer as Folk: The Complete Series

Queer as Folk - The Complete Series

Season OneThey're here, they're queer, and they make Sex and the City look like a demure tea party. Showtime's quintessentially American Queer As Folk--based on the British miniseries-- pours on copious amounts of hot and steamy sex. This slick (and slickly entertaining) series shares the same basic concept as its British counterpart-- centering on a group of gay friends living in a primarily industrial city--but after that, all bets are off. Whereas the British version focused on the gritty, realistic drama of its characters, the American QAF is a glossy, fun soap opera that occasionally tackles big issues but never lets you forget that life at times can be a party, and you shouldn't be one of those poor suckers starving to death. A good part of the show's charm lies in its cast--boy-next-doo r Michael (Hal Sparks), ruthlessly seductive rake Brian (Gale Harold), out-and-proud Emmett (Peter Paige), wallflower Ted (Scott Lowell), and nubile teen Justin (Randy Harrison)--who grew from standard gay prototypes to intriguing characters by the first season's end. And while some subplots didn't work (such as Emmett's farfetched foray into gay-conversion therapy), others were quietly affecting, including Brian's coping with his father's death. Some may object to the show's relentless fixation on sex (and gay men--there are just two lesbian characters), but this is a series that in its own polished way is both engrossingly fun and truly groundbreaking. It's liberating to watch an American TV series in which the straight world is only peripheral. Let's hear it for the boys! --Mark EnglehartSeason TwoThey're still out and proud, and in their second season the boys (and girls) of Queer as Folk continued to break ground as the most gay-friendly show on television (sorry, Will and Grace). Some plot lines were a little over the top, others truly heartfelt, but they were never less than entertaining, even during their All My Children moments. Season two opened in the aftermath of the gay-bashing of Justin (Randy Harrison), the young artist who wondered if he'd ever be able to paint or draw again, and went on to face a variety of issues and plotlines as diverse as its characters. Some were timely (Michael negotiating a relationship with new HIV-positive boyfriend Ben), some romantic (lesbians Lindsay and Melanie tying the knot), some new to the show (Emmett embarks on a relationship with a--gasp!--older gentleman), and some, well, far-fetched (how many of you had to wrestle, like Ted did, with starting your own pornographic web site?). While the writing tended to flail about a bit, thankfully coalescing by the season's end, the show continued to be anchored by stellar actors, especially Peter Paige's Emmett, who grew the most during the second season; Michelle Clunie's Melanie, the alternately wry and sweet lesbian who became the show's secret weapon; and, as always, Gale Harold's Brian, the lothario with a heart of tarnished gold. Frustrating, fascinating, exasperating one moment and charming the next, Brian perfectly summed up the guilty pleasures of Queer as Folk, where humanity peeks out every now and then from behind the curtain of fabulous comedy and drama. --Mark Englehart Season Three Drama ruled in a big way on the third season of Queer as Folk, as the gay men and women of Pittsburgh rode a roller coaster of emotional and personal upheavals that would make a regular soap-opera cast blanch. Budding comic book artist Justin (Randy Harrison) finally left longtime lover Brian for a chance at ecstasy--and not a bit of agony-–with a charming violin player. Emmett (Peter Paige) finally came face-to-face with his affection for friend Ted (Scott Lowell), only to have Ted's growing drug habit get in the way of their happiness. Lesbians Melanie (Michelle Clunie) and Lindsay (Thea Gill) decided to have another baby, whose father would be... Michael (Hal Sparks), whose nesting with hunky Ben (Robert

Queer as Folk - The Complete Series

Season OneThey're here, they're queer, and they make Sex and the City look like a demure tea party. Showtime's quintessentially American Queer As Folk--based on the British miniseries-- pours on copious amounts of hot and steamy sex. This slick (and slickly entertaining) series shares the same basic concept as its British counterpart-- centering on a group of gay friends living in a primarily industrial city--but after that, all bets are off. Whereas the British version focused on the gritty, realistic drama of its characters, the American QAF is a glossy, fun soap opera that occasionally tackles big issues but never lets you forget that life at times can be a party, and you shouldn't be one of those poor suckers starving to death. A good part of the show's charm lies in its cast--boy-next-doo r Michael (Hal Sparks), ruthlessly seductive rake Brian (Gale Harold), out-and-proud Emmett (Peter Paige), wallflower Ted (Scott Lowell), and nubile teen Justin (Randy Harrison)--who grew from standard gay prototypes to intriguing characters by the first season's end. And while some subplots didn't work (such as Emmett's farfetched foray into gay-conversion therapy), others were quietly affecting, including Brian's coping with his father's death. Some may object to the show's relentless fixation on sex (and gay men--there are just two lesbian characters), but this is a series that in its own polished way is both engrossingly fun and truly groundbreaking. It's liberating to watch an American TV series in which the straight world is only peripheral. Let's hear it for the boys! --Mark EnglehartSeason TwoThey're still out and proud, and in their second season the boys (and girls) of Queer as Folk continued to break ground as the most gay-friendly show on television (sorry, Will and Grace). Some plot lines were a little over the top, others truly heartfelt, but they were never less than entertaining, even during their All My Children moments. Season two opened in the aftermath of the gay-bashing of Justin (Randy Harrison), the young artist who wondered if he'd ever be able to paint or draw again, and went on to face a variety of issues and plotlines as diverse as its characters. Some were timely (Michael negotiating a relationship with new HIV-positive boyfriend Ben), some romantic (lesbians Lindsay and Melanie tying the knot), some new to the show (Emmett embarks on a relationship with a--gasp!--older gentleman), and some, well, far-fetched (how many of you had to wrestle, like Ted did, with starting your own pornographic web site?). While the writing tended to flail about a bit, thankfully coalescing by the season's end, the show continued to be anchored by stellar actors, especially Peter Paige's Emmett, who grew the most during the second season; Michelle Clunie's Melanie, the alternately wry and sweet lesbian who became the show's secret weapon; and, as always, Gale Harold's Brian, the lothario with a heart of tarnished gold. Frustrating, fascinating, exasperating one moment and charming the next, Brian perfectly summed up the guilty pleasures of Queer as Folk, where humanity peeks out every now and then from behind the curtain of fabulous comedy and drama. --Mark Englehart Season Three Drama ruled in a big way on the third season of Queer as Folk, as the gay men and women of Pittsburgh rode a roller coaster of emotional and personal upheavals that would make a regular soap-opera cast blanch. Budding comic book artist Justin (Randy Harrison) finally left longtime lover Brian for a chance at ecstasy--and not a bit of agony-–with a charming violin player. Emmett (Peter Paige) finally came face-to-face with his affection for friend Ted (Scott Lowell), only to have Ted's growing drug habit get in the way of their happiness. Lesbians Melanie (Michelle Clunie) and Lindsay (Thea Gill) decided to have another baby, whose father would be... Michael (Hal Sparks), whose nesting with hunky Ben (Robert