This sign is made of indoor/outdoor weatherproof.040 polystryrene (plastic as thick as 2 credit cards on top each other).This sign comes with rounded corners and one hole at each end for hanging.This is a great gift

This sign is made of indoor/outdoor weatherproof.040 polystryrene (plastic as thick as 2 credit cards on top each other).This sign comes with rounded corners and one hole at each end for hanging.This is a great gift

This sign is made of indoor/outdoor weatherproof.040 polystryrene (plastic as thick as 2 credit cards on top each other).This sign comes with rounded corners and one hole at each end for hanging.This is a great gift

This sign is made of indoor/outdoor weatherproof.040 polystryrene (plastic as thick as 2 credit cards on top each other).This sign comes with rounded corners and one hole at each end for hanging.This is a great gift

This sign is made of indoor/outdoor weatherproof.040 polystryrene (plastic as thick as 2 credit cards on top each other).This sign comes with rounded corners and one hole at each end for hanging.This is a great gift

Release Date: 2003-04-22, Audio CD, Mogul Electro Record

Dance music has a new set of vocal chords. After the frigid and mechanical textures of electroclash in the earlier part of this decade, Khalid Rivera reverts back to the sounds of Ibiza and Mancester s Haçienda club that defined House music, without being archaic. His first single Every Nite (Bluleaf Recordings) has keyboard lines and drum machine back-beats that echo New Order s and the Pet Shop Boys hits from the late 80s and vocals that mirror David Gahan s, if the Depeche Mode frontman were a counter tenor. Approaching the music scene as a precocious performer, Rivera appeared in Broadway shows, including Paul Simons The Capeman (1998) and Juan Darien (1996). For his acting and dancing training, he attended the Professional Performing Arts School, where he performed for Duke... Less

Call mainstream dance music disposable if you will, but collections like Ministry of Sound: The Annual 2004 prove how fun, slick, and clever the genre can be. Take the naïve and ultracatchy hook of Milky's "Just the Way You Are" or Tiga's wry electroclash take on Nelly's "Hot in Herre" and just try to resist. The mix of the last four tracks on disc one is camp-pop heaven with names like Dead or Alive, Minogue (Dannii this time), and Elton John popping up, and if you care for cheeky electro, Benny Benassi should be your new hero. Disc two features more trance-based tunes with Angel City and Armin van Buuren satisfying any craving for widescreen, fist-in-the-air soundtracks. Slick and well paced, Ministry of Sound: The Annual 2004 has more than its fair share of great tunes. ~ David Jeffries

PFN, the breakbeat / electro pseudonym of John Ross, aka progressive house icons and Sasha collaborator The Light drops his debut artist album as Proper Filthy Naughty. With a secure core fan base within the electro / breakbeat scene with tunes such as "Stitch Up" and "To The Beat" and his current single "Fascination" presently causing a scene in clubland, support for PFN has overflowed from discerning DJ’s of all genres – breaks, electroclash, and progressive house. Also, with major UK radio hosts such as Annie Nightingale and Mary Anne Hobbs and hipsters at the UK electroclash club mecca Nag Nag Nag going crazy for his material, you know big things are stirring in the world of PFN!

Electroclash, eighties retro, tiaras, tartan and makeup: it's all there in Nicole Trevillian's photo-record of London's new music clubs and the birth of Electroclash, from 2000 to 2010. At clubs such as the famous Trash, Nag Nag Nag, Electric Stew, Jacked, Return to New York, Drama, Computer Blue, DURRR and Smash and Grab, Trevillian captures the energy flash of this moment.

Fischerspooner: Warren Fischer, Casey Spooner.Audio Mixer: Dave Way.Although their throbbing synth-disco masterpiece "Emerge" was a huge hit for the then unknown performance art/synth pop duo, Fischerspooner, by some accounts, seemed destined to implode under the flurry of hype surrounding electroclash, a scene the group helped usher in during the early `00s. Principals Casey Spooner and Warren Fischer have since evolved the group into a multimedia art project as much as an actual band, keeping the frequency of music releases to a slower yet deliberate pace. Only their third album in eight years, ENTERTAINMENT indicates a further maturation in the group's sound, reflecting the synth pop classicism of Depeche Mode and Pet Shop Boys more than the mindless hedonism of electro-house. Aided by... Less

After 16 years in the pop diva business, Kylie Minogue doesn't bother reinventing herself. Maybe that's why Body Language sounds so effortlessly appealing. Confidence permeates the record's savvy mix of modern and retro, implanting slinky tunes like "Slow" into your brain's guilty pleasure section. Aided greatly by producer Kurtis Mantronik's resourceful touch, sparse electroclash rhythms blend easily with Minogue's shrewd pop sense, milking it for maximum catchiness. True, Kylie's barely-there voice remains a weak spot, and her attempt at rap on "Secret (Take You Home)" doesn't quite work (though it's better than you might think). More often, those helium tones are put to effective use; her sighing vocal on "Chocolate" is pure, sweet decadence. Prince himself might be a little envious of... Less

17-track International pressing. Destroy Rock 'n' Roll is the debut album from former Isleof Skye resident Myles MacInnes. A mix of twisted house, electroclash and chilled vibes, the album has drawn comparisons to the work of Daft Punk, Groove Armada and Royksopp. This edition also includes a Mylo reworking of the underground bootleg hit 'Doctor Pressure' and a mashup of 'Destroy Rock 'n' Roll'. BMG. 2006.

After 16 years in the pop diva business, Kylie Minogue doesn't bother reinventing herself. Maybe that's why Body Language sounds so effortlessly appealing. Confidence permeates the record's savvy mix of modern and retro, implanting slinky tunes like "Slow" into your brain's guilty pleasure section. Aided greatly by producer Kurtis Mantronik's resourceful touch, sparse electroclash rhythms blend easily with Minogue's shrewd pop sense, milking it for maximum catchiness. True, Kylie's barely-there voice remains a weak spot, and her attempt at rap on "Secret (Take You Home)" doesn't quite work (though it's better than you might think). More often, those helium tones are put to effective use; her sighing vocal on "Chocolate" is pure, sweet decadence. Prince himself might be a little envious of... Less

After 16 years in the pop diva business, Kylie Minogue doesn't bother reinventing herself. Maybe that's why Body Language sounds so effortlessly appealing. Confidence permeates the record's savvy mix of modern and retro, implanting slinky tunes like "Slow" into your brain's guilty pleasure section. Aided greatly by producer Kurtis Mantronik's resourceful touch, sparse electroclash rhythms blend easily with Minogue's shrewd pop sense, milking it for maximum catchiness. True, Kylie's barely-there voice remains a weak spot, and her attempt at rap on "Secret (Take You Home)" doesn't quite work (though it's better than you might think). More often, those helium tones are put to effective use; her sighing vocal on "Chocolate" is pure, sweet decadence. Prince himself might be a little envious of... Less

LCD Soundsystem: James Murphy (various instruments); Tim Goldsworthy, Pat Mahoney , Tyler Pope, Eric Broucek, Nancy Whang.Audio Mixer: Andy Wallace. Recording information: Longview Farms Studios, MA; Plaintain Recording House, New York, NY.As half of the NYC underground- legend production team DFA, James Murphy was responsible for countless crafty retoolings of late- 1970s/early-'80s sounds of the electroclash/post -punk-revival variety. Wearing his "artist" hat under the LCD Soundsystem moniker, Murphy concocted his own minimal-synth club hits, full of both hipster irony ("Losing My Edge") and catchy electro-hooks ("Yeah").Finally unleashed for the length of a full album, Murphy's muse still offers up plenty of John-Foxx-will-ris e-again retro synth sounds, but he expands his palette as... Less

Full title - Confusion - Arthur Baker Vs New Order Remixes '02. 2002 single featuring five tracks, 'Confusion' (Koma & Bones Version, Arthur Baker 2002 Version, Electroclash Version, Outputs Nu-Rocktro Version, & Asto Dazed Mix). Whacked.