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These Terrorists are Just Losers, They Just Can't Accept Losing
The only American in the British comedy troupe Monty Python, Terry Gilliam stood out for his quirky and abstract animation sequences that came between some of the comedy sketches in their Monty Python's Flying Circus shows. Gilliam would often appear in the sketches sometimes as a small part...
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Fantastic Voyage
I awoke, the morning after the White Party, on some tropical beach. My little white cocktail frock was in shreds and stained with salt water. The ship was nowhere in sight and my only company was a large sea turtle of unpleasant disposition. I was marooned, lost at sea while water skiing... Read full review »
A Monty Pythonesque/Orwellian Satire: Discover Brazil!
Imagine, if you will, George Orwell's 1984 come to life. Instead of Big Brother watching you, the private lives of characters from Terry Gilliams' Brazil are invaded by the Information Retrieval army. Through windows, a hole cut out of the ceiling, a kicked-in door, they grab the wrong man because... Read full review »
Brazil
Terry Gilliam's "Brazil" is like the friendliest nightmare you have ever experienced. It plays out, demented and bizarre, but it has such a charm to it that you can't decide whether or not you are supposed to be scared. Of course, by the time the nightmare is finished, we know that it is even... Read full review »
Orwells's 1984 ; Monty Python style!
I'm cheating a little here. Despite this film being titled Brazil, it is an English language film and has nothing whatsoever to do with the country Brazil. It is, at least, a "foreign film" from the U.S. perspective, having been made in the U.K. It's director, Terry Gilliam, was American born, but... Read full review »
Bug In The Machine.
(The following Epinion is presented to you by member D.R.J. stroke zero, zero, eight. This Epinion is an extensive look at the film "Brazil" and is designed to give the reader a more comprehensive view of the film. However, it does not in any way fit the mold of , what we like to call, a synopsis... Read full review »
Brazil: Find the woman of your dreams
This is a movie about a middle aged man working in a retro-future where beaucracy is king. He is a simple man that knows how things work but doesn't have any ambition to improve himself or his place in life. His mother, who can pull some strings, has other plans and wants him to get promoted... Read full review »
A Bathtub Full of Brightly Colored Machine Parts
Imagine a world in which your computer monitor is five inches diagonal... and you have a magnifier placed in front of the screen to blow it up to a readable size. Imagine a world in which a single corporation runs all of your utility services, but when you call for repairs you get a chirpy recorded... Read full review »
Lost In Brazil
I must say... this was a very very very weird film. It was hard to follow and make sense out of it. So, if you ever really want a headache for some peculiar reason.... rent this film. Otherwise, if you want to stay sane... keep away. I really wanted to like this film but I could not. It was... Read full review »
A complication that has a complication
Terry Gilliam’s Brazil is not for everyone; let’s face it, the more esoteric something is the fewer people will be entertained by it. I’ve never seen a study but I think it’s safe to say that the relationship to bizarreness and audience is almost inversely proportional.
Mine is...
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Brazil (The Criterion Collection Three-Disc Special Edition)
Pitting the imagination of common man Sam Lowry against the oppressive storm troopers of the Ministry of Information, this bitter parable for the Information Age has come to be regarded as an anti- totalitarian cautionary tale equal to the works of George orwell, Aldous Huxley, and Kurt Vonnegut. Gathering footage from both the European and American versions of his celebrated masterpiece, Terry Gilliam has assembled the ultimate 142-minute director's cut of Brazil - now in a gorgeously remastered new transfer. Also available in a 3 DVD set loaded with documentaries and other unique bonus features.
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Brazil [VHS]
If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--this is the sort of outrageously dystopian satire one could easily imagine him making. However, Brazil was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam sure captures the paranoid- subversive spirit of Kafka's The Trial (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek governmental clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. Not a software bug, a real bug (no doubt related to Kafka's famous Metamorphosis insect) that gets smooshed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr. Buttle, as suspected terrorist Harry Tuttle (Robert De Niro). When Sam becomes enmeshed in unraveling this bureaucratic glitch, he himself winds up labeled as a miscreant. The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. --Jim Emerson
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The Criterion Collection (3-Disc Boxed Set)
If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--this is the sort of outrageously dystopian satire one could easily imagine him making. However, Brazil was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam sure captures the paranoid- subversive spirit of Kafka's The Trial (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek governmental clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. Not a software bug, a real bug (no doubt related to Kafka's famous Metamorphosis insect) that gets smooshed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr. Buttle, as suspected terrorist Harry Tuttle (Robert De Niro). When Sam becomes enmeshed in unraveling this bureaucratic glitch, he himself winds up labeled as a miscreant. The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. This DVD version of Brazil is the special director's cut that first appeared in Criterion's comprehensive (and expensive) six-disc laser package in 1996. --Jim Emerson
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