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Brazil
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These Terrorists are Just Losers, They Just Can't Accept Losing
The only American in the British comedy troupe Monty Python, Terry Gilliam stood out for his quirky and abstract animation sequences that came between some of the comedy sketches in their Monty Python's Flying Circus shows. Gilliam would often appear in the sketches sometimes as a small part...
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Fantastic Voyage
I awoke, the morning after the White Party, on some tropical beach. My little white cocktail frock was in shreds and stained with salt water. The ship was nowhere in sight and my only company was a large sea turtle of unpleasant disposition. I was marooned, lost at sea while water skiing... Read full review »
A Monty Pythonesque/Orwellian Satire: Discover Brazil!
Imagine, if you will, George Orwell's 1984 come to life. Instead of Big Brother watching you, the private lives of characters from Terry Gilliams' Brazil are invaded by the Information Retrieval army. Through windows, a hole cut out of the ceiling, a kicked-in door, they grab the wrong man because... Read full review »
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Brazil (The Criterion Collection Three-Disc Special Edition)
Pitting the imagination of common man Sam Lowry against the oppressive storm troopers of the Ministry of Information, this bitter parable for the Information Age has come to be regarded as an anti- totalitarian cautionary tale equal to the works of George orwell, Aldous Huxley, and Kurt Vonnegut. Gathering footage from both the European and American versions of his celebrated masterpiece, Terry Gilliam has assembled the ultimate 142-minute director's cut of Brazil - now in a gorgeously remastered new transfer. Also available in a 3 DVD set loaded with documentaries and other unique bonus features.
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Brazil [VHS]
If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--this is the sort of outrageously dystopian satire one could easily imagine him making. However, Brazil was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam sure captures the paranoid- subversive spirit of Kafka's The Trial (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek governmental clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. Not a software bug, a real bug (no doubt related to Kafka's famous Metamorphosis insect) that gets smooshed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr. Buttle, as suspected terrorist Harry Tuttle (Robert De Niro). When Sam becomes enmeshed in unraveling this bureaucratic glitch, he himself winds up labeled as a miscreant. The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. --Jim Emerson
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The Criterion Collection (3-Disc Boxed Set)
If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--this is the sort of outrageously dystopian satire one could easily imagine him making. However, Brazil was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam sure captures the paranoid- subversive spirit of Kafka's The Trial (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek governmental clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. Not a software bug, a real bug (no doubt related to Kafka's famous Metamorphosis insect) that gets smooshed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr. Buttle, as suspected terrorist Harry Tuttle (Robert De Niro). When Sam becomes enmeshed in unraveling this bureaucratic glitch, he himself winds up labeled as a miscreant. The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. This DVD version of Brazil is the special director's cut that first appeared in Criterion's comprehensive (and expensive) six-disc laser package in 1996. --Jim Emerson
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Product Details and Features
Key Information |
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| Stars | Jonathan Pryce | |
| Actors | Barbara Hicks | |
| Available Formats | DVD: Widescreen | |
| Directors | Terry Gilliam | |
| UPC | 096898017138 | |
| Genre | Comedies | |
| Subgenre | Recommended • Politics • Futuristic • Prison/Prisoners • Psychodrama • On-The-Run • Disturbing • Cult Film • Surreal • Framed • Black Comedy • Love Story • Essential Cinema | |
| MPAA Rating | R (MPAA) | |
| Release Date | 1985 | |
| Running Time | 2hr 11min | |
Languages |
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| Original Language | English | |
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Credits |
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| Screenwriter | Terry Gilliam | |
Professional Reviews |
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| (06/10/1992, p.F7, Michael Wilmington): "...It's a knockout..." | ||
Quotes from the Movie |
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"Have a nice day. This has not been a recording."--Central Services phone operator to Sam Lowry (Jonathan Pryce) "You can't make a move without a form."--Harry Tuttle (Robert De Niro) to Sam |
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