Kevin Costner is idealistic federal agent Eliot Ness, whose assignment to clean up Prohibition-era Chicago leads to violence and manly questions about upholding the law. Initially powerless to stop the flow of booze into the city (the police force is corrupt and everyone in town seems to be on the mob's payroll), Ness finds guidance from an older streetwise cop (Sean Connery, who won an Academy Award for this role) who convinces him he'll need to break some rules if he wants to bring down head mobster Al Capone (Robert De Niro). Andy Garcia and Charles Martin Smith play Ness's other recruits, who together must stand tall against a city full of assassins. Director Brian De Palma (MISSION: IMPOSSIBLE) packs the film with violence and creative camera movements while David Mamet's intelligent... Less

History is everywhere in the media. Television viewers can spend every evening watching a different historian expound upon Empire, Witchcraft, the Civil War or Royal Mistresses; or go to the cinema and watch reconstructions of the Second World War, American Civil War or Imperial China. Even current affairs reporting on television, radio or in newspapers implicitly or explicitly includes historical explanations. This book examines the boom in history, in television and film, newspapers and radio and the constraints and opportunities it offers. Leading historians and high profile broadcasters, such as Melvyn Bragg, Simon Schama, Tristram Hunt, Ian Kershaw and David Puttnam, draw on their personal experiences to explore the problems and highlights of representing history in the media.

Crime dramas have been a staple of the television landscape since the advent of the medium. Along with comedies and soap operas, the police procedural made an easy transition from radio to TV, and starting with Dragnet in 1952, quickly became one of the most popular genres. Crime television has proven to be a fascinating reflection of changes and developments in the culture at large. In the '50s and early '60s, the square-jawed, just-the-facts detectives of The Untouchables and The FBI put police work in the best light possible. As the '60s gave way to the '70s, however, the depictions gained more subtle shading, and The Streets of San Francisco, The Rockford Files, and Baretta offered conflicted heroes in more complex worlds. This trend has of course continued in more recent decades,... Less

Vale's Technique of Screen and Television Writing is an updated and expanded edition of a valuable guide to writing for film and television. Mr. Vale takes the aspiring writer through every phase of a film's development, from the original concept to the final shooting script. Teachers of the craft as well as writers and directors have acclaimed it as one of the best books ever written on how to write a screenplay. This book combines practical advice for the aspiring or established writer with a lucid overview of the unique features of this most contemporary art form, distinguishing film and video from other media and other kinds of storytelling. It teaches the reader to think in terms of the camera and gives practical advice on the realities of filmmaking. At the same time, Vale, who... Less

It is often said that the greater Los Angeles area is the largest movie set in the world, and if a person lives there long enough their home or street will probably be featured in a film or television show. The tourism industry in Tinseltown is huge business, with thousands of devoted fans each day flocking to see just where their favorite star's blockbuster was filmed. This work documents locations used in over 335 motion pictures and 86 television series filmed in Los Angeles and San Diego. The locations were identified and verified after an extensive review of films, video tapes, site photographs, and personal interviews with film industry personnel. Included are synopses of the motion pictures and television series cited; an exhaustive index provides instant access to names, places,... Less

In this important and controversial book, one of our leading literary theorists presents a major philosophical statement about the meaning of literature and the shape of literary texts. Drawing on works by the Russian writers Dostoevsky, Tolstoy, and Chekhov, by other writers as diverse as Sophocles, Cervantes, and George Eliot, by thinkers as varied as William James, Mikhail Bakhtin, and Stephen Jay Gould, and from philosophy, the Bible, television, and much more, Gary Saul Morson examines the relation of time to narrative form and to an ethical dimension of the literary experience. Morson asserts that the way we think about the world and narrate events is often in contradiction to the truly eventful and open nature of daily life. Literature, history, and the sciences frequently... Less

Thirty years before they hit the big screen via Brian DePalma's brilliant movie adaptation, Eliot Ness's legendary exploits came to life in the classic 1950s and '60s television series THE UNTOUCHABLES. Created by veteran crime-drama producer Quinn Martin, the series followed Ness (Robert Stack) and his team of crack crimefighters including agents Martin Flaherty (Jerry Paris), Jack Rossman (Steve London), Enrico Rossi (Nicholas Georgiade), and William Youngellow (Abel Fernandez) as they took on the Mafia underworld of gangsters Al Capone (Neville Brand) and Frank Nitti (Bruce Gordon) in Prohibition-era Chicago. Smart and iconic, the series distinguished itself with superb voiceover narration from broadcaster Walter Winchell and a gritty style that nonetheless eschewed graphic depictions... Less

For six decades Kenneth Cragg has been recognized and praised as one of the West's most gifted interpreters of Islam. In this latest, deeply insightful work, Cragg argues that the West must put aside a "spiritual imperialism" that draws on western prescripts alien to Muslims and "learn to come within" Islam. Only then can a conversation begin that can relieve the misunderstandings and suspicion that has grown between Islam and the West -- especially since 9/11. Cragg makes clear that a misunderstanding of the tenets of a religion is a condition religions have suffered through the centuries and one to which Islam is no exception. He argues that the terrorists of 9/11 perverted the Qur'an's meaning and yet argues that fanaticism cannot be healed by being deplored or rebuked. Instead, the... Less

"An invaluable collection for anyone researching or teaching cult cinema ... The Cult Film Reader is an authoritative text that should be of value to any student or researcher interested in challenging and transgressive cinema that pushes the boundaries of conventional cinema and film studies." Science Fiction Film and Television "A really impressive and comprehensive collection of the key writings in the field. The editors have done a terrific job in drawing together the various traditions and providing a clear sense of this rich and rewarding scholarly terrain. This collection is as wild and diverse as the films that it covers. Fascinating." Mark Jancovich, Professor of Film and Television Studies, University of East Anglia, UK "It's about time the lunatic fans... Less

DVD: Sound for Film & Television, By Barry Green and Matt Gettemeier with David Jimerson, How to Avoid Common Mistakes, Two Simplest Techniques for Great Audio, Understanding Microphones, Boom Handling and Recording Techniques, Audio Kit Accessories, Choosing a Great Location, Creating an Effective Audio Edit