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Brian Eno - Lux [digipak]...

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Personnel: Neil Catchpole, Duchess Nell Catchpole (violin, viola).Audio Mixer: Peter Chilvers.On his third offering for Warp, Brian Eno returns to ambient music once again. He displayed it on his label debut, 2010's Small Craft on a Milk Sea, but the various pieces on it were either rejects from The Lovely Bones soundtrack or developed with Leo Abrahams on the Everything That Happens Will Happen Today tour. The music on Lux is a single, 75-minute composition divided into four segments that are just over 18 minutes in length or under 20. They were composed to accompany an exhibit of Eno's visual art in Turin. While the music on Lux adheres to his ambient principle of making music that is rewarding attention but not being so strict as to demand it, and there is an elemental drift in all... Less
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Brian Eno - Another Green...

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Personnel: Brian Eno (guitar, piano, organ, synthesizer, percussion); Robert Fripp (guitar); John Cale (viola); Brian Turrington (piano, bass); Rod Melvin (electric piano); Percy Jones, Paul Rudolph (bass); Phil Collins (drums). Personnel: David Hill (electronics).It was here that Eno first began to experiment with abstract soundscapes, to employ a greater spatial element and the ethereal synthesizer effects that presaged an entire movement of ambient music. While most of the tracks are instrumental, the numbers that feature Eno's peculiar, affectless voice and free-associative lyrics seem to blend into the fabric of the album. Superior guest musicians include John Cale, Robert Fripp and Phil Collins. From the brain-bending riff of Sky-Saw, through the elemental creeping of Sombre... Less
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Brian Eno Another Green World...

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Personnel: Brian Eno (guitar, piano, organ, synthesizer, percussion); Robert Fripp (guitar); John Cale (viola); Brian Turrington (piano, bass); Rod Melvin (electric piano); Percy Jones, Paul Rudolph (bass); Phil Collins (drums). Personnel: David Hill (electronics).It was here that Eno first began to experiment with abstract soundscapes, to employ a greater spatial element and the ethereal synthesizer effects that presaged an entire movement of ambient music. While most of the tracks are instrumental, the numbers that feature Eno's peculiar, affectless voice and free-associative lyrics seem to blend into the fabric of the album. Superior guest musicians include John Cale, Robert Fripp and Phil Collins. From the brain-bending riff of Sky-Saw, through the elemental creeping of Sombre... Less
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Eno,brian - Another Green...

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Personnel: Brian Eno (guitar, piano, organ, synthesizer, percussion); Robert Fripp (guitar); John Cale (viola); Brian Turrington (piano, bass); Rod Melvin (electric piano); Percy Jones, Paul Rudolph (bass); Phil Collins (drums). Personnel: David Hill (electronics).It was here that Eno first began to experiment with abstract soundscapes, to employ a greater spatial element and the ethereal synthesizer effects that presaged an entire movement of ambient music. While most of the tracks are instrumental, the numbers that feature Eno's peculiar, affectless voice and free-associative lyrics seem to blend into the fabric of the album. Superior guest musicians include John Cale, Robert Fripp and Phil Collins. From the brain-bending riff of Sky-Saw, through the elemental creeping of Sombre... Less
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Eno,brian - Another Green...

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Includes stickers with opinions / quotes from both famous and non-famous people on a clear O-card encasing the digipak housing the disc. The music is not 'remastered' but instead has been re-transferred by Simon Heyworth from the original analogue masters, as they are not technically re-EQ'd but transferred to the digital domain using the best technology currently available.
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Brian Eno - Another Green...

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Includes stickers with opinions / quotes from both famous and non-famous people on a clear O-card encasing the digipak housing the disc. The music is not 'remastered' but instead has been re-transferred by Simon Heyworth from the original analogue masters, as they are not technically re-EQ'd but transferred to the digital domain using the best technology currently available.
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Brian Eno Here Come The Warm...

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Personnel: Brian Eno (vocals, keyboards, synthesizer); David Hill (electronics). Audio Mixers: Chris Thomas ; Denny Bridges; Paul Hardiman; Philip Chapman; Brian Eno.Recording information: 09/1973.By the time Brian Eno left Roxy Music and came to record this masterpiece of a debut in 1973, he already held in his grasp the raw tools to revolutionize popular music. HERE COME THE WARM JETS is bathed in his singular pop-with-a-wink aesthetic and free-associative imagination. Whether on the four-on-the-floor pre-punk stomp of Needles In The Camel's Eye or the Spector/VU trad-rock-ism of Cindy Tells Me, the album displays an unabashed love of quirky, catchy pop. Macabre lyrics often subvert the melodies, a feature fully expressed on Baby's On Fire, where the singer's cheeky vocals exaggerate... Less
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Brian Eno by Christopher...

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Free Delivery Worldwide : Brian Eno : Hardback : CHRONICLE BOOKS : 9781452108490 : 1452108498 : 01 Nov 2013 : The first career spanning monograph to survey the visual art of world renowned music pioneer and creative thinker Brian Eno.
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Brian Eno - Here Come The...

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Personnel: Brian Eno (vocals, keyboards, synthesizer); David Hill (electronics). Audio Mixers: Chris Thomas ; Denny Bridges; Paul Hardiman; Philip Chapman; Brian Eno.Recording information: 09/1973.By the time Brian Eno left Roxy Music and came to record this masterpiece of a debut in 1973, he already held in his grasp the raw tools to revolutionize popular music. HERE COME THE WARM JETS is bathed in his singular pop-with-a-wink aesthetic and free-associative imagination. Whether on the four-on-the-floor pre-punk stomp of Needles In The Camel's Eye or the Spector/VU trad-rock-ism of Cindy Tells Me, the album displays an unabashed love of quirky, catchy pop. Macabre lyrics often subvert the melodies, a feature fully expressed on Baby's On Fire, where the singer's cheeky vocals exaggerate... Less
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Lux Brian Eno

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Personnel: Neil Catchpole, Duchess Nell Catchpole (violin, viola).Audio Mixer: Peter Chilvers.On his third offering for Warp, Brian Eno returns to ambient music once again. He displayed it on his label debut, 2010's Small Craft on a Milk Sea, but the various pieces on it were either rejects from The Lovely Bones soundtrack or developed with Leo Abrahams on the Everything That Happens Will Happen Today tour. The music on Lux is a single, 75-minute composition divided into four segments that are just over 18 minutes in length or under 20. They were composed to accompany an exhibit of Eno's visual art in Turin. While the music on Lux adheres to his ambient principle of making music that is rewarding attention but not being so strict as to demand it, and there is an elemental drift in all... Less
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Brian Eno - Lux

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Personnel: Neil Catchpole, Duchess Nell Catchpole (violin, viola).Audio Mixer: Peter Chilvers.On his third offering for Warp, Brian Eno returns to ambient music once again. He displayed it on his label debut, 2010's Small Craft on a Milk Sea, but the various pieces on it were either rejects from The Lovely Bones soundtrack or developed with Leo Abrahams on the Everything That Happens Will Happen Today tour. The music on Lux is a single, 75-minute composition divided into four segments that are just over 18 minutes in length or under 20. They were composed to accompany an exhibit of Eno's visual art in Turin. While the music on Lux adheres to his ambient principle of making music that is rewarding attention but not being so strict as to demand it, and there is an elemental drift in all... Less
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Brian Eno - Small Craft On A...

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Personnel: Jon Hopkins (piano, keyboards, electronics); Leo Abrahams (guitar, laptop); Brian Eno (computer). Photographer: Nick Robertson .Small Craft on a Milk Sea is Brian Eno's first solo album since 2005's Another Day on Earth. Released on the Warp label, it is technically a collaboration -- improvisations altered by significant editing work -- with Leo Abrahams and Jon Hopkins. It marks a return to the approach of Eno's evocative ambient albums, which Eno himself refers to as sound-only movies.
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Brian Eno - Before And After...

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Personnel: David Hill (electronics). Eno's last glam-pop album before devoting himself entirely to ambient experimentation, BEFORE AND AFTER SCIENCE showcases two sides of Eno's musical personality. The first half of the disc is characterized by floppy, pop-tinged romps reminiscent of his earlier albums (and heralding later Eno-piloted projects such as the Talking Heads' SPEAKING IN TONGUES). Tunes like Backwater and King's Lead Hat (a song whose lyrics are reputedly about the Talking Heads, the title an anagram of the band's name) feature bouncy beats and keyboards, silly, riddle-like lyrics and Eno's Muppet-ish vocals. The second half is considerably more subdued: the tender, airy feeling of tracks like Julie With and Spider and I indicate Eno's softer, abstract, synthesizer- dominated... Less
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Brian Eno - Discreet Music -...

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Personnel: David Hill (electronics). Arranger: Gavin Bryars .DISCREET MUSIC is Brian Eno's first break with pop music in favor of a quieter, more meditative form, and it came about by accident. When Eno was confined to bed after an auto accident, a visitor brought him an album of classical music, which he mistakenly put on the stereo at a very low volume. Unable to get up to raise the volume, Eno heard the quiet music blend with the natural sounds of his environment, and conceived a music designed for that purpose. The several lengthy pieces on DISCREET MUSIC are named after quotes from the liner notes of a recording of Pachebel's Canon in D, which also provides the structure of the pieces themselves. Built on subtle tape loops, the pieces retain just enough of those structures to avoid... Less
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Brian Eno - Taking Tiger...

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Personnel: Brian Eno (vocals, keyboards, electronics); Phil Manzanera (guitar); Fred Smith (drums); Robert Wyatt (percussion, background vocals); David Hill (electronics). Arrangers: Phil Manzanera; Brian Eno.TAKING TIGER MOUNTAIN (BY STRATEGY), Brian Eno's sophomore solo outing, is a grab bag of freaky, science-fiction-di pped confections. Filled with a battery of innovative, unsettling effects, the album is darker and more complex than HERE COME THE WARM JETS. The artist shows an increasing willingness to experiment with texture, as on The Great Pretender, whose whirling, oozing keyboard line and synthesized vocals approximate delirium tremens or a hatching hive of maggots, or on Put A Straw Under Baby, which features the Portsmouth Sinfonia, whose members have no knowledge of their... Less
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Brian Eno - Apollo:...

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An invitation to score Al Reinert's film of the Apollo Mission's lunar landing provided Eno with the opportunity to explore the feelings of space travel. APOLLO is one small stepĂ  for Eno, here working both within and beyond the conceptual confines of his Ambient series. The disc's dozen gorgeous, evocative miniatures see Eno's first collaborative work with producer/guitaris t Daniel Lanois--a collaborator who would prove central to many of Eno's subsequent projects--and with his own brother, pianist Roger Eno.APOLLO contains some of Eno's most carefully crafted melodies, wrought impressionistical ly in limpid, quicksilver synth and gilded with Lanois's liquid guitar lines. Matta and Under Stars II imagine the wonders of weightlessness and zero-gravity drift. Lanois's Silver Morning views... Less
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Brian Eno - Brian Eno: Music...

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Because it was released between 1975's proto-ambient DISCREET MUSIC and 1979's similarly-titled AMBIENT 1: MUSIC FOR AIRPORTS, 1978's MUSIC FOR FILMS is often mistakenly lumped in with Brian Eno's ambient releases. However, while MUSIC FOR FILMS shares some of the facets of Eno's ambient music, particularly in the lack of vocals, the structure of the album precludes its description as an ambient release. While Eno's definition of ambient music focuses on the extended length of pieces and their meditative content, the 18 tracks on MUSIC FOR FILM are very brief--only one reaches four minutes and half are under two--and they cover an appropriately cinematic range of moods, from tranquility to fear. At times, Eno and his collaborators, including Fred Frith, Phil Collins, and John Cale, recall... Less
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Budd,harold & Brian Eno -...

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Personnel includes: Brian Eno (various instruments); Harold Budd (piano).The music of California-born composer Harold Budd has little in common with the hypnotic Eastern- influenced pulsing of fellow minimalists like Philip Glass or Terry Riley. Instead, his sometimes atonal but often pastoral and lulling compositions for piano most recall the influence of Erik Satie. For their second collaboration, THE PEARL, Budd and co- writer/producer Brian Eno eschew the lengthy explorations of their previous album, THE PLATEAUX OF MIRRORS, in favor of 11 brief miniatures between two and five minutes each. Given evocative, imagistic titles like Late October and Lost in the Humming Air, Budd's watery, occasionally jazz-inflected piano solos are subtly supported by non-obtrusive layers of synthesizers,... Less
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Brian Eno - Discreet Music...

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DISCREET MUSIC is Brian Eno's first break with pop music in favor of a quieter, more meditative form, and it came about by accident. When Eno was confined to bed after an auto accident, a visitor brought him an album of classical music, which he mistakenly put on the stereo at a very low volume. Unable to get up to raise the volume, Eno heard the quiet music blend with the natural sounds of his environment, and conceived a music designed for that purpose. The several lengthy pieces on DISCREET MUSIC are named after quotes from the liner notes of a recording of Pachebel's Canon in D, which also provides the structure of the pieces themselves. Built on subtle tape loops, the pieces retain just enough of those structures to avoid the deliberate formlessness of Eno's later ambient... Less
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Brian Eno - Lux [digipak]...

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Personnel: Neil Catchpole, Duchess Nell Catchpole (violin, viola).Audio Mixer: Peter Chilvers.On his third offering for Warp, Brian Eno returns to ambient music once again. He displayed it on his label debut, 2010's Small Craft on a Milk Sea, but the various pieces on it were either rejects from The Lovely Bones soundtrack or developed with Leo Abrahams on the Everything That Happens Will Happen Today tour. The music on Lux is a single, 75-minute composition divided into four segments that are just over 18 minutes in length or under 20. They were composed to accompany an exhibit of Eno's visual art in Turin. While the music on Lux adheres to his ambient principle of making music that is rewarding attention but not being so strict as to demand it, and there is an elemental drift in all... Less
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Brian Eno - Drums Between The...

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A collaborative project with poet Rick Holland that was initiated in 2003 and completed years later, Drums Between the Bells is Brian Eno's second album for the Warp label, following Small Craft on a Milk Sea. The set also features several guest vocalists.
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Brian Eno - Ambient 4: On...

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Personnel: David Hill (electronics). Liner Note Author: Brian Eno.Unlike most of Brian Eno's conceptually unified ambient projects, AMBIENT 4: ON LAND is something of a patchwork. Recorded in six studios between 1978 and 1982, the eight pieces--ranging between three to nine minutes in length--are a curious mixture of solo works for treated instruments and full-fledged collaborations. Lizard Point is the most interesting, with the synthesizer, bass, and guitar of Material's Michael Beinhorn, Bill Laswell, and Axel Gros providing a denser and more varied musical backing than most of Eno's ambient works. Shadow, a duet with trumpeter Jon Hassell, introduces a world music element similar to their FOURTH WORLD ONE: POSSIBLE MUSICS duet album, and Dunwich Beach, Autumn 1960 introduces guitarist... Less
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Cluster & Eno [slipcase] By...

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Cluster & Eno: Hans-Joachim Roedelius, Dieter Moebius, Brian Eno.Additional personnel: Holger Czukay (bass); Asmus Tietchens, Okko Becker.Recorded at Conny's Studio, Germany in June 1977.While Brian Eno's solo music in the '70s--arguably the decade's greatest musical achievement-- deftly combined the innovative sonics of the ambient and experimental communities with his own hummable pop sensibilities, he kept a steady stream of collaborators to prune each side of this dichotomy. CLUSTER & ENO--his collaboration with German ambient pioneers Cluster--acts as the foil for his more pop-oriented work with the likes of David Bowie and Roxy Music, as the duo pushed him further into the exhilaration of pure sound divorced from pop structures. The collaboration worked both ways, however, as Eno's... Less
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Brian Eno - Music For Films...

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Personnel: Brian Eno; Paul Rudolph, Robert Fripp, Fred Frith (guitar); John Cale (viola); Rhett Davies (trumpet); Rod Melvin (electric piano); Percy Jones, Bill MacCormick (bass guitar); Dave Mattacks, Phil Collins (percussion). Because it was released between 1975's proto-ambient DISCREET MUSIC and 1979's similarly-titled AMBIENT 1: MUSIC FOR AIRPORTS, 1978's MUSIC FOR FILMS is often mistakenly lumped in with Brian Eno's ambient releases. However, while MUSIC FOR FILMS shares some of the facets of Eno's ambient music, particularly in the lack of vocals, the structure of the album precludes its description as an ambient release. While Eno's definition of ambient music focuses on the extended length of pieces and their meditative content, the 18 tracks on MUSIC FOR FILM are very... Less
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Brian Eno - Ambient 4: On...

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Personnel: Brian Eno (various instruments); Michael Brook, Axel Gros (guitar); Jon Hassell (trumpet); Michael Beinhorn (synthesizer); Bill Laswell (bass guitar).Liner Note Author: Brian Eno.Unlike most of Brian Eno's conceptually unified ambient projects, AMBIENT 4: ON LAND is something of a patchwork. Recorded in six studios between 1978 and 1982, the eight pieces--ranging between three to nine minutes in length--are a curious mixture of solo works for treated instruments and full-fledged collaborations. Lizard Point is the most interesting, with the synthesizer, bass, and guitar of Material's Michael Beinhorn, Bill Laswell, and Axel Gros providing a denser and more varied musical backing than most of Eno's ambient works. Shadow, a duet with trumpeter Jon Hassell, introduces a world... Less
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Brian Eno: Music For Films By...

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Because it was released between 1975's proto-ambient DISCREET MUSIC and 1979's similarly-titled AMBIENT 1: MUSIC FOR AIRPORTS, 1978's MUSIC FOR FILMS is often mistakenly lumped in with Brian Eno's ambient releases. However, while MUSIC FOR FILMS shares some of the facets of Eno's ambient music, particularly in the lack of vocals, the structure of the album precludes its description as an ambient release. While Eno's definition of ambient music focuses on the extended length of pieces and their meditative content, the 18 tracks on MUSIC FOR FILM are very brief--only one reaches four minutes and half are under two--and they cover an appropriately cinematic range of moods, from tranquility to fear. At times, Eno and his collaborators, including Fred Frith, Phil Collins, and John Cale, recall... Less
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Brian Eno - Satie: Works For...

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Powered by Frooition Pro Click here to view full size. Full Size Image Click to close full size. Satie: Works For Piano [United Kingdom] - CD NEW Artist: Brian Eno Runtime: Not Available Details Notes Reviews Details Notes Reviews Details Notes Reviews Details Notes Reviews Details Notes Reviews About Us Payment Shipping Customer Service FAQs Welcome to MovieMars All items are Brand New. We offer unbeatable prices, quick shipping times and a wide selection second to none. Purchases come with a
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Music For Films Iii By Brian...

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Music for Films, Vol. 3, is a set of mismatched pieces by Brian Peter George St. John le Baptiste de la Salle Eno (aka Eno). They are from his voluminous works for cinema, installations, shorts, and other related media. The disc contains 15 short pieces (only one is over five minutes). In that regard, there is a distinct similarity to his new wave pop music from the '70s. This CD is, however, all instrumental, largely electronic, and distinctly Eno. Despite their dissimilar origins, these tracks have definite cohesion. Eno injects avant-garde timbres and metallic textures into each composition. The flow is smooth, the atmospheres are vast, and the soundscapes are vivid. This is a very cool montage of Eno's work. ~ Jim Brenholts
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Brian Eno - Panic Of Looking...

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Lyricist: Rick Holland.A six-track EP, Panic of Looking continues the collaboration of producer Brian Eno and poet Rick Holland, with similarly intriguing results as on the earlier Drums Between the Bells. No collection of outtakes or castoffs, the album is just as mesmerizing as the best moments on Drums Between the Bells. As before, Holland provides all the words but very few of the vocals. Meanwhile, Eno provides all of the music and several of the vocals, including the best track (the title song, with gently cascading bells and a precisely ordered voicing of Holland's poem). The music is even more isolationist and spare than Eno/Holland's previous work. In all, it represents a beautiful set of ambience from one of the form's masters. ~ John Bush
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Eno,brian/budd - Pearl [cd...

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Personnel includes: Brian Eno (various instruments); Harold Budd (piano). Personnel: Brian Eno (keyboards, electronics); Harold Budd (piano). Recording information: Bob And Dan Lanois Studio, Canada.The music of California-born composer Harold Budd has little in common with the hypnotic Eastern- influenced pulsing of fellow minimalists like Philip Glass or Terry Riley. Instead, his sometimes atonal but often pastoral and lulling compositions for piano most recall the influence of Erik Satie. For their second collaboration, THE PEARL, Budd and co- writer/producer Brian Eno eschew the lengthy explorations of their previous album, THE PLATEAUX OF MIRRORS, in favor of 11 brief miniatures between two and five minutes each. Given evocative, imagistic titles like Late October and Lost in the... Less
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Harold Budd/brian En - The...

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Personnel includes: Brian Eno (various instruments); Harold Budd (piano).The music of California-born composer Harold Budd has little in common with the hypnotic Eastern- influenced pulsing of fellow minimalists like Philip Glass or Terry Riley. Instead, his sometimes atonal but often pastoral and lulling compositions for piano most recall the influence of Erik Satie. For their second collaboration, THE PEARL, Budd and co- writer/producer Brian Eno eschew the lengthy explorations of their previous album, THE PLATEAUX OF MIRRORS, in favor of 11 brief miniatures between two and five minutes each. Given evocative, imagistic titles like Late October and Lost in the Humming Air, Budd's watery, occasionally jazz-inflected piano solos are subtly supported by non-obtrusive layers of synthesizers,... Less
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Brian Eno - Thursday...

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eBay Brian Eno - Thursday Afternoon [brian Eno] [5099968453725] - Cd
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Personnel: David Hill (electronics). Audio Mixers: Daniel Lanois ; Michael Brook; Brian Eno.The whole of THURSDAY AFTERNOON consists of one 61-minute track, itself an edit of a much longer piece designed as the accompaniment for a video piece by artist Russell Mills. In the tradition of 19th century program music, THURSDAY AFTERNOON attempts to musically evoke the feelings of a specific experience. Amusingly, the experience being evoked is the tedium of a nondescript, unexciting day. While it's perhaps up to the individual listener as to whether this makes for an entirely satisfying listening experience, THURSDAY AFTERNOON is one of Brian Eno's most intellectually intriguing pieces. THURSDAY AFTERNOON stretches the concept of ambient music nearly to the breaking point--the piece consists... Less
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Brian Eno - Drums Between The...

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eBay Brian Eno - Drums Between The Bells Usa Digipak Cd Brand & Still Sealed 2011
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Lyricist: Rick Holland.A collaborative project with poet Rick Holland that was initiated in 2003 and completed years later, Drums Between the Bells is Brian Eno's second album for the Warp label, following Small Craft on a Milk Sea. The set also features several guest vocalists.
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Brian Eno - More Music For...

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eBay Brian Eno - More Music For Films [5099968453428] - Cd
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Personnel: David Hill (electronics). Liner Note Author: Michael Bracewell.In addition to his participation in the original incarnation of Roxy Music, and his collaborations with and influence on such seminal artists as David Bowie, Talking Heads, and U2, Brian Eno's solo experiments with electronic ambient music in the 1970s have left a defining influence on succeeding generations. Their impact has helped shape movements as diverse as New Age, electronica, and world fusion. It is a particular testament to Eno's genius that his original ambient albums sound as fresh and vital today as they did upon their release.2005'S MORE MUSIC FOR FILMS is not a pioneering work on par with MUSIC FOR AIRPORTS or MY LIFE IN THE BUSH OF GHOSTS. In fact, it takes its cues from Eno's 1978 album MUSIC FOR... Less
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Eno,brian - Bell Studies For...

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eBay Eno,brian - Bell Studies For The Clock Of The Long Now [cd New]
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January 07003: Bell Studies for the Clock of the Long Now is an ambitious project by Brian Eno, and it is also quite complicated in an extremely intellectual way. The heavy-handed liner notes give a detailed explanation of the algorithms and structures of this monumental CD, but do nothing to enhance the pleasure of listening to this haunting and enchanting music. Eno has taken one of man's oldest instruments -- the bell -- and developed new ways of using its inherent sonorities. His performance and recording techniques give bells deep overtone and drone qualities. The music sounds electronic and Eno merely captures the subtleties of their character. While it might be a bit out of character to compare Eno to anyone -- or anyone to Eno -- this disc is out of character for him. It will... Less
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James-laid-brian Eno-tim...

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eBay James-laid-brian Eno-tim Booth-british Folk Pop-rock-cd
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James: Tim Booth (vocals); Saul Davies (guitar, violin); Larry Gott (guitar, background vocals); Mark Hunter (keyboards); Jim Glennie (bass); David Baynton-Power (drums). Additional personnel: Brian Eno, Martine McDonagh, The Kitchenettes (background vocals). Engineers: Benedict Fenner, Steve Doc Williams. Recorded at Real World, Box, England and The Windings, Wrexham, Wales.Recording information: Real World Studios, Box, Wiltshire, England.This Manchester-based band had already been around for 10 years by the time this seminal release hit stores. The band had always experimented in the studio and had long wanted to work with Brian Eno--and for LAID their wish was granted. The results are a combination of crowd-pleasing anthems, quiet ballads, and lullabies, all of which benefit greatly... Less
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Eno,brian - Music For Films...

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eBay Eno,brian - Music For Films [cd New]
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Personnel: Brian Eno; Paul Rudolph, Robert Fripp, Fred Frith (guitar); John Cale (viola); Rhett Davies (trumpet); Rod Melvin (electric piano); Percy Jones, Bill MacCormick (bass guitar); Dave Mattacks, Phil Collins (percussion). Because it was released between 1975's proto-ambient DISCREET MUSIC and 1979's similarly-titled AMBIENT 1: MUSIC FOR AIRPORTS, 1978's MUSIC FOR FILMS is often mistakenly lumped in with Brian Eno's ambient releases. However, while MUSIC FOR FILMS shares some of the facets of Eno's ambient music, particularly in the lack of vocals, the structure of the album precludes its description as an ambient release. While Eno's definition of ambient music focuses on the extended length of pieces and their meditative content, the 18 tracks on MUSIC FOR FILM are very... Less
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Brian Eno: Music For Airports...

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eBay Brian Eno: Music For Airports By Bang On A Can (cd, Mar-2011, Cantaloupe)
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Bang On A Can: Evan Ziporyn (clarinet, bass clarinet); Maya Beiser (cello); Lisa Moore (piano, keyboards); Mark Stewart (electric guitar); Robert Black (bass); Steven Schick (percussion). Additional personnel: Katie Geissinger, Phyllis Jo Kubey, Mary Runyan Marathe, Alexandra Montano (vocals); Wayne du Maine, Tom Hoyt (trumpet); Julie Josephson, Christopher Washburne (trombone); Chris Komer (horn); David Fedele, Liz Mann (flute); Todd Reynolds (violin); Mark Stewart (cello, mandolin, mandocello); Matt Goeke, Greg Hesselink (cello); Wu Man (pipa).Recorded at Avatar and Looking Glass Studios, New York, New York in August 1997. Includes liner notes by Julia Wolfe, David Lang and Michael Gordon.Audio Mixer: Damian leGassick. Recording information: 1998.Before the term ambient came to be... Less
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Brian Eno: His Music and the...

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Sears Marketplace Brian Eno: His Music and the Vertical Color of Sound
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Book annotation not available for this title. Title: Brian Eno Author: Tamm, Eric Publisher: Perseus Books Group Publication Date: 1995/08/21 Number of Pages: Binding Type: PAPERBACK Library of Congress: 95021602
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