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Showing 1 - 10 of 28 Reviews |
This album needs some resolution, there's too much confusion!
Aaliyah, originally the protege of R. Kelley, is now back with her third album after doing some soundtrack successes. Building a career on such beat oriented tracks as "Try Again" and "Are You That Somebody?" I was very interested to see what this young woman would do on her newest effort simply... Read full review »
Aaliyah Is The Perfect Curtain Call For A Young Artist With Such A Bright Future
The Main Idea:
Following a five-year hiatus and a pair of Timbaland-produced soundtrack smashes, Aaliyah released her more introspective and tragically last studio effort, which was self-titled, in the summer of 2001. This is the first Aaliyah record where everything comes together; the...
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Aaliyah's Self Titled Album: If She Could Only Get Out of the Graces of Timbo
Aaliyah is one of those young artists who exudes class and sophistication and doesn't seem to be in the public eye because of something stupid she did (at least after the so-called marriage to R. Kelly). She comes out with an album, waits a few years for her audience to miss her, comes out with a... Read full review »
From "Baby Girl" to a Woman
When she perished in a plane crash in the Bahamas at the tender age of 22, Aaliyah was on her way to becoming the next "big thing". She had already released three successful albums, with several top R&B hits and a #1 pop smash ("Try Again"), she was on the verge of becoming a successful movie star... Read full review »
The swan songs of an angel
Aaliyah's self titled album was released a whopping (in terms of pop music anyway) 5 years after the smash One In A Million. Rather than running back to the studio to churn out another record like her contemporaries, Baby Girl decided to spend more time dabbling in acting, but she still dropped... Read full review »
THE BEST R&B ALBUM OF 2001 PERIOD! (AND IF YOU DON?T AGREE, BLOW IT OUT?.)
The Main Idea:
I know that everybody & they mama has reviewed this CD but I just had to put my two cents. I'll never forget the day I bought Aaliyah's CD. It was August 6th, 2001 and I was in Virgin Megastore in Rialto, California. I was CD shopping and I already knew that I had to get...
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Carpe Diem
One of the trappings that is most difficult for music critics to evade is the iconisation of the deceased- from Jim Morrison to 2PAC, countless artists (ranging from the sublime to the godawful) have been overrated and turned ?holy? because they are no longer alive. It all boils down to the same... Read full review »
More Than An Artist...Her Final Album (R.I.P.)?
{Aaliyah's final album(1979-2001)}
{Rest in Peace, Baby Girl....you will be missed}
{Aaliyah died Aug. 25th, 2001 in a plane crash near Miami}
For the longest time, Timbaland produced albums scared me because he likes to push the envelope ALL of the time. As a result he has had...
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Aaliyah Rocks The Boat With Her New Album!!!
After five years, its not too surprising to hear that on her new self-titled album Aaliyah is all grown up. Yes, that's right, the girl with the name that No One ever gets right has returned.
What she came back with is a more mature sounding record. She traded some of her previous...
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The Hardcore R&B Siren
After a five year break, Aaliyah made an appearance back in the music scene in 2001 with her 3rd studio album, Aaliyah. This self-titled album showed Aaliyah's new level of maturity. Her already beautiful voice was even stronger on this album, presenting her more as a woman now than in her previous... Read full review »
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Aaliyah
Seven years after her debut at just 15 years old, Aaliyah assembled a third studio album that was astonishingly mature. Sadly, her death just a little over a month after its release stilled a promising voice in R&B. At 22, when most artists would just be getting started, Aaliyah had already progressed from pop to street to an unconventional retro-modern, risk-taking version of R&B. While lead track "We Need a Resolution" is as mainstream as it gets, there are fewer hits on this album than on previous efforts. Instead, this collection is an extraordinary romantic exposition of passion and pain. While Missy Elliott is cranking out jams for all her "club freaks," Aaliyah is like a modern-day (if less vocally gifted) Minnie Riperton, exploring the pains of moving from child star to adult sex symbol. Tracks such as "Never No More" and "I Care 4 U" (featuring Missy) are slinky, twisted ballads imbued with film-noir sultriness, as diva Aaliyah steps catlike away from the bubblegum R&B of her contemporaries. There's also the obligatory rock track tacked on near the end ("I Can Be"), but even this excels above the standard hip-hop/rock/R&B crossover fare with its Prince-like influences coupled with Aaliyah's own instinct for seduction. Aaliyah also signaled a move away from her long-standing musical relationship with producer Timbaland, who contributes just three cuts. Having started out heavily supported by R. Kelly, it appeared that Aaliyah was more than able to go it alone. --Jake Barnes
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