The girls wear pink and the boys wear blue in BUT I'M A CHEERLEADER a film billed as a comedy about sexual disorientation. Megan Natasha Lyonne is a happy-go-lucky cheerleading teenager in the suburbs when suddenly her fairly normal behavior vegetarianism Melissa Etheridge poster reluctance to make out with her boyfriend makes her suspect in the eyes of the community. Megan's super straightlaced parents Mink Stole of John Waters fame and Bud Cort from HAROLD AND MAUDE fearing that their precious "little poodle" may be a lesbian promptly ship a befuddled Megan off to True Directions a homosexual rehabilitation facility. Unable to take the first step required by the program-- admitting that she is in fact gay--Megan butts heads with camp leaders Mary Cathy Moriarty and Mike RuPaul out of... Less

It's set during the Korean War, in a mobile army surgical hospital. But no one seeing M*A*S*H in 1970 confused the film for anything but a caustic comment on the Vietnam War; this is one of the counterculture movies that exploded into the mainstream at the end of the '60s. Director Robert Altman had labored for years in television and sporadic feature work when this smash-hit comedy made his name (and allowed him to create an astonishing string of offbeat pictures, culminating in the masterpiece Nashville). Altman's style of cruel humor, overlapping dialogue, and densely textured visuals brought the material to life in an all-new kind of war movie (or, more precisely, antiwar movie). Audiences had never seen anything like it: vaudeville routines played against spurting blood, fueled with... Less

This classic American war comedy received an Oscar® nomination for Best Picture and spawned one of the most popular shows ever to run on television. It focuses on three army surgeons (Donald Sutherland, Elliott Gould and Tom Skerritt) who develop a lunatic lifestyle in order to handle the everyday horrors they encounter in the Korean War. Sally Kellerman, Gary Burghoff and Robert Duvall co-star in this disarming mix of slapstick, merciless fun and tragedy.

As the sixth season opens, Margaret’s marriage has finally driven Frank Burns over the edge. Unfortunately, his subsequent replacement, Major Charles Emerson Winchester III, soon drives B.J. and Hawkeye over the edge as well. From his fur-trimmed coat to his shiny French horn, he almost makes B.J. and Hawkeye wish Frank were still there. Almost. But as Winchester slowly finds his place within the OR, things get back to normal – or as normal as they ever get. Radar goes off in search of the perfect tattoo. Black marketeers steal all the unit’s penicillin. Hawkeye and B.J. refuse to shower unless Charles stops blowing his horn. And Hawkeye and Margaret find comfort in each other’s arms...if only for one night.

Release Date: 2003-02-18, Rating: NR (Not Rated)

I'M ALL RIGHT JACK: When naive Oxford graduate Stanley (Ian Carmichael) is hired as a lowly employee in his uncle's missile factory, the factory's socialist shop steward Fred (Sellers) sees a great political opportunity. Soon, Stanley finds himself stuck between Fred's union and the family business, leading to an epic comedic tug-of-war! THE SMALLEST SHOW ON EARTH: When their great-uncle dies, newlyweds Matt and Jean Spencer (Bill Travers, Virginia McKenna) inherit a dilapidated small-town cinema that comes with an eccentric staff including a drunken projectionist (Sellers), a dotty cashier (Margaret Rutherford) and an ancient usher/janitor (Bernard Miles). CARLTON-BROWN OF THE F.O.: When valuable mineral deposits are discovered on the forgotten British colony of Gaillardia, the Foreign... Less

Ian Richardson (From Hell, M. Butterfly) leads an all star cast in this malevolent satire of greed, corruption and ambition in the highest realms of government. As Machiavellian monster Francis Urquhart, he schemes and backstabs his way to the top until he is standing on a pile of broken promises, betrayals and the bodies of those who oppose him. Every step of the way, Urquhart lays out his plans with horrifying wit and venomous charm. But the ranks of his enemies are growing, and they intend to bring him down, whatever the price. Every step of the way, Urquhart lays out his plans with horrifying wit and venomous charm. But the ranks of his enemies are growing, and they intend to bring him down, whatever the price. Brilliantly adapted by Andrew Davies (Pride and Prejudice, Bridget... Less