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Acoustic Guitar Preamp/EQ with Phase Switch, Trim Controls, and Brilliance Control

This high gain super mini preamp and microphone are the smallest and best in the world. The preamp features low noise, extremely high gain and auto level adjustment by on-board IC. The mike is super tiny and the preamp is built right in. Weight is under 1/2 ounce for preamp and mike. Output is line level and voltage requirement is 6-15 volts DC. Fully configured system with six foot mike lead and plug and play cable terminations with RCA connector. FEATURES: Weight is under 1/2 ounce Output is line level Runs on 6-15 volts DC, 20mA Come with 6 foot power/audio cables 1 year warranty

This 4-channel Engl tube preamp has much more to offer than just being the heart of a modern Rock rack system. Besides the convincing clean, crunch, and lead tones, a balanced recording compensated output helps you lay your parts straight into your hard drive. A stereo 1.5-watt power amp works with any cabinet or headphone for silent practicing. The two main channels, Clean and Lead, feature dedicated voicing sections, gain pots and volume controls for precision sound shaping and fine-tuning. The Gain Lo/Hi switch converts the Clean channel to a Crunch channel and, in the Lead channel, the sound spectrum encompasses everything from Heavy Crunch to Ultra Gain. With a 4-band voicing section featuring two midrange bandwidths and a Contour switch that can be accessed via footswitch or the optional ENGL MIDI Switcher Z-11 (sold separately), the Lead channel is amazingly versatile. Another handy feature is the Defeat function, which bypasses the preamp and routes the guitar signal directly to the output. This feature enables you to connect two preamps in series and this option enlarges the tonal spectrum. The variable Stereo Line Out and a frequency compensated Line Out give you a wide range of application options. For instance, you can patch the preamp signal directly to a mixing console or recording device and simultaneously drive a stereo power amp.

The Equinox from D-TAR, is an audiophile- quality 3-band parametric equalizer preamp with low noise components and circuit design that makes it ideal for studio and live use. The Equinox preamp's frequency sweep control, bandwidth control, and boost/cut control corrects or enhances very specific tonal problem areas. Dual notch filters control or eliminate acoustic feedback. D-TAR Equinox is an ideal preamp for musicians who require precise control of their EQ in any environment.D-TAR - Duncan/Turner Acoustic Research Seymour Duncan and Rick Turner are two legends who spent years working with musicians, perfecting their tone. Seymour founded his self-named company in 1978 which has become well-known for its wide variety of guitar and bass pickups used by just about every name player from Billie Joe Armstrong to Angus Young. Rick co-founded Alembic, was president of Gibson Labs West Coast R&D Division, co-founded Highlander Musical Audio making piezo acoustic guitar pickups for Lindsay Buckingham, Ry Cooder, David Lindley, and Andy Summers, and runs his own Renaissance Guitars. Now Seymour and Rick are working together to create innovative products for acoustic musicians. Their D-TAR motto: "With respect to acoustic tone."

This 4-channel Engl tube preamp has much more to offer than just being the heart of a modern Rock rack system. Besides the convincing clean, crunch and lead tones, a balanced recording compensated output helps you lay your parts straight into your hard drive. A stereo 1.5-watt power amp works with any cabinet or headphone for silent practicing. The two main channels, Clean and Lead, feature dedicated voicing sections, gain pots and volume controls for precision sound shaping and fine-tuning. The Gain Lo/Hi switch converts the Clean channel to a Crunch channel and, in the Lead channel, the sound spectrum encompasses everything from Heavy Crunch to Ultra Gain. With a 4-band voicing section featuring two midrange bandwidths and a Contour switch that can be accessed via footswitch or the optional ENGL MIDI Switcher Z-11 (sold separately), the Lead channel is amazingly versatile. Another handy feature is the Defeat function, which bypasses the preamp and routes the guitar signal directly to the output. This feature enables you to connect two preamps in series and this option enlarges the tonal spectrum. The variable Stereo Line Out and a frequency compensated Line Out give you a wide range of application options. For instance, you can patch the preamp signal directly to a mixing console or recording device and simultaneously drive a stereo power amp.

Dual Analog Mic Preamp with Mic and Line Inputs, Analog and Digital Outputs, Clock Input, and Insert Point Between Analog and Digital Sections

2-channel FET Preamp for Ribbon Microphones with 80dB of Gain, HF Boost, and Curve-Shaper Function

1-channel Class A Microphone Preamp with Variable Input Gain, Variable High-pass Filter, Pad, and Phantom Power

Preamp/Digital MP3 Recorder with USB for Ovation Acoustic/Electric Guitars with Drop-in Preamps

1-channel Mic Preamp with 4-band EQ, High-pass Filter, DI, and Class A Design

2-channel Mic Preamp for Ribbon Mics, Tube Condensers, and Moving-coil Mics

Phono Preamp with RIAA EQ in a Rugged Metal Case.

4-channel Class A Microphone Preamp with Variable Input Gain, Pad, and Phantom Power

Tube Preamp with Variable Impedance, FET Limiter, and USB

8-channel Mic Preamp with 96kHz ADAT Output

The Icicle is Blue’s new stylish USB converter and mic preamp combo that allows you to connect any XLR microphone directly into your computer via USB! The Icicle features a studio quality microphone preamp 48V phantom power fully balanced low noise front end analog gain control and driverless operation. Setup is a snap! The Icicle works with both dynamic and condenser microphones providing high quality and hassle-free connectivity with Mac or PC. Whether you’re using a microphone for digital recording podcasting voice messaging or voice recognition applications the Icicle is the quick and easy way to get connected.

ThePara DI, GigproandMixproar e three universal preamps from LR Baggs that will improve the tone of just about any pickup you plug into them. All of these preamps feature adjustable gain, class 'A' discrete circuitry, and a phase button to fight feedback. These preamps are versatile enough to work with acoustic guitars, electric guitars, violins, bass, and other stringed instruments. LR Baggs endorsers include: Jackson Browne, James Taylor, Dixie Chicks, Lenny Kravitz, Vince Gill, Kathy Mattea, Janis Ian, Phil Keaggy, Pete Anderson. TheGigprois a smaller single channel belt clip preamp that is modeled after the Para DI and will work with almost any type of pickup or mini-mic. Place it on your belt or guitar strap and it will give you fingertip control of your sound right at your side.As a musician, you are an artist...a communicator. The notes, chords, rhythms, and melodies you play on your instrument need to be heard loud and clear by your audience. Whether your focus is getting the best tone from your instrument on stage or in the studio - L.R. Baggs products can help you sound great. They've spent 20 years developing the best sounding pickups and preamps on the planet. This is the sound you've heard from players like Vince Gill, Pete Townsend, Doyle Dykes, Eric Johnson, Phil Keaggy, Earl Klugh, Alison Krauss, Lenny Kravitz, Kathy Mattea, Natalie Merchant, Jean Luc Ponty, James Taylor, and countless other talented players around the world. So...are you ready to find the right gear to take your tone to the next level?Their electronics are the product of 20 years of relentless improvement and the quest for perfection. Their quality has been recognized with great reviews and numerous awards. They have also garnered a well deserved reputation as the most advanced and best sounding circuitry for pickups on the planet. They are magic. You can be assured that you will sound your absolute best when you use any

eBay TC-760 Store Listing Welcome to PHONOPREAMPS.COM on TCC TC-760 Moving Magnet/Moving Coil Phono Preamp The TC-760's similar MM specs and sound quality rival those of the TC-750, but this model adds the ability to connect moving coil cartridges. Whether you own an MC cartridge now or envision upgrading to one in the future, this preamp gives you the flexiblity to connect BOTH MM and MC cartridge- equipped turntables at the same time , selecting between them with the flick of a switch. Most M

The D-Tar Solstice is a high quality two channel preamp mixer that blends virtually any type of sound source. The low-noise hybrid circuitry and internally adjustable gain from 0 to 24db make it suitable for both live and studio use. Solstice is the perfect solution for musicians looking to live-mix up to four sources such as piezo pickups, magnetic pickups, standard mics, and high output condenser mics. D-Tar Solstice Features 1/4-inch and XLR Inputs on Each Channel: Allows either a microphone or pickup input on either channel Balanced XLR Mic Input with Volume Control: Very low noise and high common mode rejection ratio. For optimum headroom and lowest noise Utilizes discrete hybrid circuitry as in high end mixing consoles Ultra High Impedance Single Ended Input: Preserves the full frequency response of piezo type pickups with no attenuation of low end. For pickups or single ended mics Includes true gain control. Very low noise, high current, discrete hybrid circuitry Clip Indicator: Helps set optimum gain for best headroom and signal to noise ratio Phase Reverse Switch: Helps control acoustic feedback Channel Effects Loop with Send and Return Jacks: Can be used as independent signal output or as insertion point for external signal Mute Switch and Mute Indicator: Allows complete shut off of rig Tuner Output (unaffected by mute switch): Allows quiet tuning Stereo Input Jack: Allows access to both channels with one stereo cable External Wall Mount Power Supply: Allows AC operation 15V Phantom Power: Provides 15V Phantom Power for microphones High Quality Components: Extremely low noise and distortion, audiophile quality sound Mic Stand Adapter Available As an Option: Useful for on-stage applications that use a microphone stand. Allows the performer to have full access to the front panel while facing the audience Did you ever wonder how the best acoustic musicians get that great sound night after night in every venue? One of the secrets they’ve learned is that their signature sound not only includes their instruments, but also their pickups, microphones, cables, and the all-important pre- amplification and equalization stages of the signal chain. Duncan-Turner Acoustic Research ( D-TAR ) is dedicated to providing the electronic links between your strings and your listeners’ ears so you can get a consistently great sound under virtually any circumstance, day in, day out. D-TAR is a company founded by musicians who want to make the kind of gear our fellow musicians deserve. We’ve spent a lot of time listening to and playing fine instruments as well as amplification and recording gear, and we are dedicated to building the best sounding gear with the most useful features that we can. We would like to hear your comments on how you use your Solstice Mixer/Blender Preamp, and hope the music you make with it fulfills your dreams.

The Para DI , Gigpro and Mixpro are three universal preamps from LR Baggs that will improve the tone of just about any pickup you plug into them. All of these preamps feature adjustable gain, class 'A' discrete circuitry, and a phase button to fight feedback. These preamps are versatile enough to work with acoustic guitars, electric guitars, violins, bass, and other stringed instruments. LR Baggs endorsers include: Jackson Browne, James Taylor, Dixie Chicks, Lenny Kravitz, Vince Gill, Kathy Mattea, Janis Ian, Phil Keaggy, Pete Anderson. The Gigpro is a smaller single channel belt clip preamp that is modeled after the Para DI and will work with almost any type of pickup or mini-mic. Place it on your belt or guitar strap and it will give you fingertip control of your sound right at your side. As a musician, you are an artist...a communicator. The notes, chords, rhythms, and melodies you play on your instrument need to be heard loud and clear by your audience. Whether your focus is getting the best tone from your instrument on stage or in the studio - L.R. Baggs products can help you sound great. They've spent 20 years developing the best sounding pickups and preamps on the planet. This is the sound you've heard from players like Vince Gill, Pete Townsend, Doyle Dykes, Eric Johnson, Phil Keaggy, Earl Klugh, Alison Krauss, Lenny Kravitz, Kathy Mattea, Natalie Merchant, Jean Luc Ponty, James Taylor, and countless other talented players around the world. So...are you ready to find the right gear to take your tone to the next level? Their electronics are the product of 20 years of relentless improvement and the quest for perfection. Their quality has been recognized with great reviews and numerous awards. They have also garnered a well deserved reputation as the most advanced and best sounding circuitry for pickups on the planet. They are magic. You can be assured that you will sound your absolute best when you use any L.R. Baggs preamp. The Gigpro is a single-channel belt clip preamp that will work with most pickups. It also provides 9V phantom power for mini-mics and other phantom powered onboard electronics. They have pared the features down to the bare essentials but you will find everything you need to get the best sound possible from your pickup. The EQ, for example, has only two bands plus a variable low cut but you will be amazed at how flexible and intuitive it is to use. The circuitry is generally modeled after the ever-popular Para Acoustic D.I. but L.R. Baggs has made several key innovations. First, the circuitry is 100% Class A and discrete from input to output. Secondly, they have designed the circuitry in a way that makes the sound of the preamp almost tube like. Third, the EQ is entirely passive. Fourth, they have used only the highest grade audiophile components. When you add it up, the Gigpro is the best sounding, easiest to use, most effective and quietest preamp that L.R. Baggs has ever created. Big things do come in small packages. 'From the first chords played through the Gigpro, there was a collective gasp from the room. Anything, including electric guitars and the X-Bridge sounds amazing through the Gigpro.' -Dan Altilio, Top Gear Pro Shop

The Groove Tubes SAG-MHG Marshall High Gain Kit contains 2 SAG ECC83S and 1 AX7-MPI tubes optimized for the preamp stage of Marshall-style amplifiers. Specially selected from premium Groove Tubes preamp tubes that have been tested to meet the GT standard. Special Applications Group (SAG) provides further testing and grading of vacuum tubes for certain performance characteristics. This 3-tube set is optimized for your Marshall, Bogner, Rivera, Mesa or British-type amps which use (or will benefit from) the ECC83 (12AX7) preamp tubes. SAG-MHG includes two high output preamp tubes to be used in the V1 and V2 positions, and one MPI (matched phase inverter) tube for the V3 position. The matched phase inverter may be a 12AX7 or an ECC83, as it will be matched for its response curves with the other two tubes. The phase inverter is not part of the tine generation stage, it is a current driver.The V1 and V2 tubes will increase the front end output structure of amplifiers from about 10% to as much as 25% or more over typical stock tubes.The V3, matched phase inverter tube will assure a balanced output section when used with matched power tubes (highly recommended) which will assure sustain across the entire range of your instrument.The MPI (Matched Phase Inverter) is a SAG selected 12AX7 or ECC83, as this tube is not part of the tone generation stage, but part of the output section and is chosen for its current drive and rise time characteristics. Use this MPI in any application where a phase inverter / driver of the ECC83/12AX7/7025 tube is specified. The phase inverter / driver position of a guitar or bass amp is a current driving position, and not part of the tone generation stage. These tubes are selected for specific characteristics, so may be a 12AX7R, 12AX7C, 12AX7M or another 12AX7 type that has been selected for specific curve traces as the objective. This tube cannot be specified as to type in the kit.These kits also work particularly well in Fender Blackface and Silverface amps where the increased gain and current out of the first gain stage combined with a switch from the 12AT7 in the phase inverter to a 12AX7 will yield a much more aggressive tone. These amps which are normally considered to be on the "clean" side will become more aggressive with this kit.

Professional preamp mixer.

Transformerless 2-channel Mic Preamp