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Bergger VC Variable Contrast CB Fiber Based Black & White Enlarging Paper - 16x20 - 25 Sheets - Warm Glossy Surface
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Bergger VC Variable Contrast CB Fiber Based Black & White Enlarging Paper - 16x20 - 25 Sheets - Warm Glossy Surface
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PRESTIGE VARIABLE CB is a double weight photographic paper with warm black image tone. Its heavy (300 gm2), superb fiber base gives it exceptional results. Surface is glossy.PRESTIGE VARIABLE CB can produce an image from a soft tone to an exceptionally hard tone due to the emulsion incorporating both blue and green sensitivities. By using a multi filter set, contrast range from 0 to 5 are available, in half grade increments from a single paper.Red safelight is recommended. With a 15 watt bulb direct illumination, minimum working distance is 1.5m. Safelight exposure longer than 2 minutes will lead to fog increase. It is a good idea to test for safelight fog from time-to-time.PREST IGE VARIABLE CB paper can be exposed with all enlarger and printer light source. Be aware that some older types of cold light tubes may normally require more yellow filtration. For instance, with Kodak filters, right exposure times should be: 8 sec. for filters number 0; 1 and 2; 9 sec. for filter number 3 and 27 sec. for filters number 4 and 5.Process in any good quality paper developer at 20°C (68°F) for 1½ to 2 min. with continuous agitation. BERGGER 'ecco ' developers work pariculary well with this paper.An acid stop bath is optional but recommended. It quickly stops development by neutralizing alkali. This also helps extend fixer life. Dilution : 25 cc of 28% acetic acid in 1 liter of water. Stop bath time : 15 seconds or 20 to 30 seconds of water rinse.Treat in a conventional sodium thiosultate fixer for a minimum of 5 min. at 20°C (68°F). Normal fixer capacity is 1.5 sqm/liter. A two bath fixing method (at 2.5 min. per bath) may be used to avoid under-fixing. When the first bath is exhausted, replace it with the second bath and mix a fresh second bath . With ammonium thiosulfate 'rapid ' fixers, treat for 30 to 45 seconds only, then give a thorough pre-wash for 5 min, Next, treat with a wash-aid (see WASHING, below) with frequent agitation for 10 min. before transferring to a final wash.PRESTIGE VARIABLE CB responds well to bleaching and toning, To increase print life and deepen dark tones, prints may be treated in a selenium toner of about 1:15 dilution.The use of a wash aid (such as Kodak Hypo Clearing Agent) will reduce your wash time and increase the efficiency of your washing. As well, it will help guarantee the permanence of your photograph. Wash PRESTIGE in running water at a rate fast enough to completely change once every 5 minutes. Wash time is 1 hour at 20°C (68°F) or 30 min. if a wash aid has been used.To effect even and rapid drying, you may use a wetting agent as a final rinse. Excess water should be removed from the surface of prints with a clean sponge or squeegee. Prints may then be dried in dust?free air on drying screens or in a clean photo-blotter.PRES TIGE VARIABLE CB may be retouched, spotted and mounted using normal methods.
Bergger High Definition Textured Satin Inkjet Paper, PN33, 17 mil., 13 x 19, 10 Sheets
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Bergger High Definition Textured Satin Inkjet Paper, PN33, 17 mil., 13 x 19, 10 Sheets
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Bergger's innovative inkjet paper is the perfect marriage of technology and European tradition of fine craftsmanship. Produced exclusively for Bergger by legendary paper maker Arches, PN32 and PN33 represent the future of inkjet. Bergger's High Definition coating applied to Arches luxurious 300g/m2 mould-made cotton paper creates tonal transisitions as smooth as silk, that will last a lifetime.
Bergger PN33, Cotton Rag (Textured) 13
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Bergger PN33, Cotton Rag (Textured) 13"x19"-10 shts
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Bergger Prestige Fine Art Silver Warm Tone, Double Weight, Fiber Base Black & White Enlarging Paper 8x10 - 10 Sheets, Semi Matte, Graded #2
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Bergger Prestige Fine Art Silver Warm Tone, Double Weight, Fiber Base Black & White Enlarging Paper 8x10 - 10 Sheets, Semi Matte, Graded #2
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PRESTIGE FINE ART - (SILVER SUPREME) is an extra-premium (320g/m2), semi-matte photographic paper with a 100% cotton rag base. It a single grade emulsion (approximately grade 2) which is particularly high in silver content and gives extremely deep blacks and wide range of mid-tones. It has excellent toning capability and due to the quality of its paper base and surface softness, it allows un-matched possibilities of hand-coloring. PRESTIGE FINE ART - (SILVER SUPREME) also gives wonderful results when used to make contact prints from large negatives made with BPF 200 film.Red safelight such as from a Wratten 1A is recommended. With direct illumination from a 15 Watt bulb. Direct minimum working distance is 1.5m (5 feet). It is a good idea to test for safelight fog from time-to-time.PREST IGE FINE ART - (SILVER SUPREME) can be exposed with all types of enlarger and printer light source. Exact exposure times may be found by test strips (small, extra sheets of the paper are enclosed for this purpose). Process in any good quality paper developer at 20°C (68°F) for 2 to 3 min. with continuous agitation.An acid stop bath is optional but recommended. It quickly stops development by neutralizing alkali. This also helps extend fixer life. Dilution : 25 cc of 28% acetic acid in 1 liter of water. Stop bath time: 15 seconds or 20 to 30 seconds of water rinse.Treat in a conventional sodium thiosultate fixer for a minimum of 5 min. at 20°C (68°F). Normal fixer capacity is 1.5 sqm/liter. A two bath fixing method (at 2.5 min. per bath) may be used to avoid under-fixing. When the first bath is exhausted, replace it with the second bath and mix a fresh second bath . With ammonium thiosulfate rapid fixers, treat for 30 to 45 seconds only, then give a thorough pre-wash for 5 min, Next, treat with a wash-aid (see WASHING below) with frequent agitation for 10 min. before transferring to a final wash.The use of a wash aid (such as Kodak Hypo Clearing Agent) will reduce your wash time and increase the efficiency of your washing. As well, it will help guarantee the permanence of your photograph. Wash PRESTIGE in running water at a rate fast enough to completely change once every 5 minutes. Wash time is 1 hour at 20°C (68°F) or 30 min. if a wash aid has been used.To effect even and rapid drying, you may use a wetting agent as a final rinse. Excess water should be removed from the surface of prints with a clean sponge or squeegee. Prints may then be dried in dust-free air on drying screens or in a clean photo-blotter.
Bergger High Definition Fine Art PN33 - Satin textured paper - natural white - Super B (13 in x 19 in) - 300 g/m2 - 10 sheet(s)
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Bergger High Definition Fine Art PN33 - Satin textured paper - natural white - Super B (13 in x 19 in) - 300 g/m2 - 10 sheet(s)
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Printer Compatibility: Bergger's High Definition Fine Art papers are compatible with both dye-based and pigment-based inks. Quadtone prints made using these papers closely approximate the look and feel of Platinum with an expanded tonal range. Printing: Designed for the most discriminating artists, set your printer to maximum quality using watercolor paper setting or photo matte paper setting. Several companies have ICC profiles available for these exceptional papers, please check with your specific printer manufacturer for more information Handling: Handle finished prints with care to avoid scuffing and interleave prints with acid-free interleaving tissue or paper. Prior to printing, take care not to touch the coated side: the oil from your skin can affect image quality. Storage: Finished prints should be stored in an acid-free archival environment prior to mounting and framing. Mounting and Framing: Reversible museum mounting techniques such as mylar corners or hinges provide the best presentation for your artwork. Acid-free matting materials and high quality glazing will ensure future generations of admirers.

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